Lot of 4, Johnny Galecki, Christopher Walken, Denis Leary stills SUICIDE KINGS (

Description

(They ALL look MUCH better than these pictures above. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photograph. I just placed them on this listing to protect this high quality image from being bootlegged.)
Lot of 4, Johnny Galecki, Christopher Walken, Denis Leary stills SUICIDE KINGS (1997) Henry Thomas, Jay Mohr, Jeremy Sisto, Sean Patrick Flanery studio vintage originals
– GET SIGNED!
This lot of approximately 8” x 10” photos will sell as a group. The first picture is just one of the group, please open and look at each still in this lot to measure the high value of all of them together. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photographs. I just placed them on this listing to protect these high quality images from being bootlegged. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
PLEASE BE PATIENT WHILE ALL PICTURES LOAD
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These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions.
DESCRIPTION:
Television director Peter O'Fallon made his feature film debut with this independent film that pays obvious homage to the style of Quentin Tarantino, with plenty of violence and funny, talkative hit men. Suave gangster Charlie Barrett (Christopher Walken) meets four young men who have taken over his regular booth at a popular bistro. Charmed by the swaggering kids, he agrees to take a ride with them, but they give him a sedative and he awakens in a deserted mansion, taped to a chair with one of his fingers missing. One of his abductors, Avery (Henry Thomas), says that he has a sister who has been kidnapped and they need two million dollars to get her back, as well as a finger to exchange for her severed digit. Charlie phones his lawyer Marty (Cliff De Young), who calls a henchman, Lono (Denis Leary), who investigates the kidnappings and gives Charlie enough information to start playing each of his inexperienced abductors against the others.
CONDITION:
These quality vintage and original release stills are in Near MINT condition (old yes, but hardly any signs of even normal wear, almost pristine, flawless, museum quality uncirculated!). PERFECT TO BE AUTOGRAPHED OR SIGNED AT A PERSONAL APPEARANCE! I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. (They came from the studio to the theater during the year of release and then went into storage where the collector I bought them from kept them for over 17 years!) They are worth each but since I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
SHIPPING:
Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a pound with even more extra ridge packing.
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PAYMENTS:
Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
BACKGROUND:
Simultaneously funny, creepy, and violent, this story of wealthy youths who stage an ill-planned abduction of a homicidal mobster is a wickedly nasty treat for crime buffs. The young cast of kidnappers has great chemistry, and manages to be believable in some rather unlikely exchanges with each other and their ruthless, cunning captive Christopher Walken. Denis Leary steals the show as Walken's cynically profane goon, and there are some fine supporting turns by Henry Thomas (E.T.), Jay Mohr (Saturday Night Live), and Johnny Galecki (Roseanne). Gripping and riddled with dark humor, Suicide Kings is an entertaining poisoned confection.
A versatile character actor whose intense demeanor and slightly off-kilter delivery served him well in both comedies and dramas, Christopher Walken was at once one of the busiest and most respected actors of his generation, appearing in as many as five films in a year while still finding time for stage and occasional television work.   Walken was born Ronald Walken in Queens, NY, on March 31, 1943, the youngest of three sons of Paul and Rosalie Walken; Paul ran a bakery, while Rosalie was convinced her sons had talent and was determined they take advantage of it. Ronald landed his first job in front of a camera at the age of 14 months when he posed for a calendar photo with a pair of kittens. Like his siblings, he received dance lessons as a youngster, and, by the age of ten, was making frequent appearances on television and radio shows, and was a regular on a short-lived sitcom, The Wonderful John Acton. Ronald and his brothers also enrolled at New York's Professional Children's School, and he spent a summer as a junior lion tamer with a circus, later recalling that the lion was quite old and docile.   In 1961, Walken enrolled at Hofstra University. But, little more than a year later, he landed a role in the Broadway-bound musical Best Foot Forward (which starred one of his former classmates, Liza Minelli), and decided to leave college. Spending the next several years working in a variety of musicals -- both in New York and on the road -- the young actor appeared in a 1964 touring production of West Side Story, and there met actress and dancer Georgianne Thon. The two began dating, and eventually married in 1969. While appearing in a revue starring model-turned-singer Monique Van Vooren in 1965, Walken was told by the headliner he looked more like a Christopher than a Ronald; he decided to take her advice, and adopted Christopher Walken as his stage name. In 1966, he made his first appearance in a non-singing role as Phillip, the King of France, in a Broadway production of The Lion in Winter. By the end of the decade, Walken was devoting his energies to stage dramas, although he continued to keep up with his dance training.   Walken made his movie debut with 1968's Me and My Brother -- a film directed by acclaimed photographer and experimental filmmaker Robert Frank -- and, in 1972, scored his first starring role in the low-budget sci-fi thriller The Mind Snatchers. Walken first caught the attention of critics with his performance as a bohemian ladies' man in Paul Mazursky's Next Stop, Greenwich Village, and landed a small but memorable role in Woody Allen's Annie Hall as suicidal preppie Duane. But Walken's real breakthrough came in 1978, with his role as Nick in The Deer Hunter. Playing a small-town boy who is irreversibly scarred by his experiences in Vietnam, the role won Walken an Oscar for Best Supporting Actor, and made him a bankable and recognizable name. He soon committed to director Michael Cimino's follow-up, which proved to be the infamous box-office and critically-panned flop Heaven's Gate, and later showed off both his acting and dancing skills as a villainous pimp in the musical drama Pennies From Heaven.   While Walken remained a critical favorite, he fell short of becoming a major box-office draw due to the disappointing returns of many of his post-Deer Hunter films. But, by his own admission, Walken was always an actor who liked to work, and he maintained a busy schedule of both stage and screen roles. His willingness to take on edgy film characters with questionable commercial appeal (such as At Close Range, King of New York, and Communion) helped earn the actor a loyal cult following, and small but showy roles in True Romance and Pulp Fiction gave Walken's screen career a serious boost in the early '90s. By the time Walken turned 60, he had written, directed, and starred in an off-Broadway comedy called Him; received another Oscar nomination for his performance in Catch Me if You Can; appeared in films as varied as Sleepy Hollow, The Affair of the Necklace, and The Country Bears; and got to prove he was still a great dancer with his much-talked-about appearance in the music video "Weapon of Choice" by Fatboy Slim.   Walken became one of the most popular recurring guest-hosts on Saturday Night Live creating recurring characters such as The Continental, and appeared in a host of classic skits including getting to deliver the catch phrase, "I need more cowbell!"   As the 2000s progressed, Walken continued to take work in a variety of films from The Rundown, and Man on Fire, to Gigli, The Wedding Crashers, and the Adam Sandler comedy Click, all the while maintaining his status as one of the quirkiest and most gifted supporting actors of his time.   In 2006 he took on a supporting role opposite Robin Williams in the Barry Levinson directed satire Man of the Year as a political consultant. He was in the musical remake of Hairspray, playing the husband of the character played by John Travolta in drag, and the comedy Balls of Fury in 2007. In 2010 he earned rave reviews for his work in the Martin McDonagh's play A Behanding in Spokane on Broadway, and the next year he worked with Todd Solondz, playing the father in Dark Horse.
Boston-born Denis Leary is the sneering, tousle-haired comedian who popularized the cautionary phrase "two words." (His routine went something like this: "Regarding Bill Clinton's foreign policy, two words: Jimmy...Carter.") Best known for his many MTV appearances, Leary excels in playing characters who wavered between quiet sarcasm and howling insanity. His one-man show No Cure for Cancer premiered in New York in 1991, scoring a hit with its "intellectual guerilla" comedy. Among Leary's numerous films were National Lampoon's Loaded Weapon (1993), Judgment Night (1993), and Operation Dumbo Drop (1995). His best screen showing was as the beleaguered burglar and reluctant kidnapper in The Ref (1994). He later starred in Wag the Dog (1997), Jesus' Son (1999), and Joe Mantegna's directorial debut, Lakeboat (2000). Leary also served as a producer of the 2001 film Blow. In 2001, he starred as a New York detective in a night time drama called The Job. The series was cancelled before the end of the second season, but Leary was soon back in the movies, lending his voice to the character of Diego in the animated feature Ice Age. Then in 2004, Leary took on the character that would come to define the second leg of his career, accepting the lead role of firefighter Tommy Gavin on the FX series Rescue Me. Critically acclaimed and renowned for pushing the borders of cable television, the show proved to be a huge hit, and Leary won an Emmy for his performance. After the show wrapped in 2011, Leary would spend the followng years appearing in projects like The Amazing Spider Man.
Known to millions of early-'80s filmgoers as Elliot, the young boy who befriends a leathery, long-necked alien, Henry Thomas rocketed to fame with his starring role in Steven Spielberg's 1982 blockbuster E.T. the Extra-terrestial and then, just as quickly, plummeted out of sight. Unlike countless other child actors who seem to fall off the face of the earth with the onset of their first pimple, however, Thomas remained somewhat active in low-profile projects while maturing in the relative obscurity of his native Texas. When he eventually re-emerged on the big screen in the mid-'90s, he did so in a variety of projects that emphasized his versatility, until he was granted a sort of second coming, with his acclaimed supporting turn as a wandering cowboy in Billy Bob Thornton's 2000 epic All the Pretty Horses.   By the time he was cast in E.T. the Extra-terrestial, Thomas had already made an impressive screen debut as Sissy Spacek's son in the 1981 drama Raggedy Man, which also starred Sam Shepard. A native of San Antonio, where he was born the son of a hydraulics mechanic on September 9, 1971, he returned to Texas after all of the hype surrounding E.T. the Extra-terrestial, acting in film and on TV from time to time while attending school and generally leading the life of a regular kid. In 1989, he appeared in his most high-profile project since E.T., playing the chivalrous young man who dispatches Colin Firth's titular ne'er-do-well in Valmont, Milos Forman's adaptation of Choderlos DeLaclos' Les Liaisons Dangereuses. Although the film was nowhere near as successful as Stephen Frears' adaptation of the same work the previous year, it did give Thomas exposure in one of his first adult roles.   Substantially greater exposure followed for the actor in 1994, when he was cast as one of Anthony Hopkins' three sons in Edward Zwick's Legends of the Fall. Co-starring with Hopkins, Brad Pitt, and Aidan Quinn, Thomas was on the screen for a relatively brief length of time, but the popularity of the lavish, big-budget film did allow the young actor to make an impression on audiences who hadn't seen him since E.T. He subsequently switched gears to portray a troubled drifter in the independent production Niagara Niagara (1997), in which he co-starred with Robin Tunney, and then returned to large budgets and lavish production values when he won a major role in the most hotly anticipated project to date of his adult career, Thornton's adaptation of Cormac McCarthy's All the Pretty Horses. Featuring stunning Southwestern cinematography and equally photogenic turns by co-stars Matt Damon and Penelope Cruz, the film cast Thomas as Lacey Rawlins, Damon's best friend. Although the film came in for very mixed reviews, most critics were in agreement about Thomas' wry, low-key performance, with some even asserting it was the best thing about the picture. Despite the adulation surrounding his work, Thomas kept a low profile, playing in his band the Blueheelers and spending time in Italy to shoot Martin Scorsese's Gangs of New York (2001) alongside the likes of Daniel Day-Lewis, Cameron Diaz, Liam Neeson, and Leonardo DiCaprio.   Thomas continued to work throughout the 2000's on a wide variety of projects, completing at least a few films a year, including the horror film Dead Birds and the comedy Tennis, Anyone?.... In 2007, he signed up to star alongside Anne Heche, Carrie Fisher, and David Boreanaz in the Alan Cumming-directed black comedy Suffering Man's Charity.
Bearing the kind of golden-skinned, blue-eyed handsomeness that often leads to predictions of superstardom, Sean Patrick Flanery has been acting on screens big and small since the 1980s. Born in Lake Charles, Louisiana on October 11, 1965, Flanery was raised in Houston, Texas. While attending Houston's University of Saint Thomas, he decided to take a drama class in the hopes of pursuing a fellow drama student. Flanery's interest in the girl proved fleeting, but the same could not be said of his interest in the theatre: after getting hooked, he packed up and headed out to Los Angeles, where he had an obligatory stint waiting tables before he found an agent. After eight months of looking for work, Flanery began acting in television commercials, which in turn led to work on various television shows. Although he made his film debut in 1987's A Tiger's Tale, it was his work in the 1992 television series Young Indiana Jones that gave Flanery his first taste of recognition. Although the series was short-lived, it did manage to build up something of a fan base, and Flanery continued to make Young Indy specials until 1996.   In 1995, the actor returned to film, appearing in an adaptation of Truman Capote's The Grass Harp and starring in Powder. Unfortunately for Flanery, the latter film was mired in controversy surrounding suspect actions on the part of its director, which obscured the quality of the actor's performance. Flanery continued to appear in a number of films, including 1997's Suicide Kings and the 1998 Drew Barrymore vehicle Best Men. Also in 1998, he could be seen portraying a callous rocker in the independent film Girl. The following year, Flanery starred opposite Sarah Michelle Gellar in the romantic comedy Simply Irresistible. Later that same year, he could be seen giving romance another try in Body Shots, a tale of angst-ridden twenty-somethings in L.A.'s treacherous dating scene.   He was in The Boondock Saints and the gentle family drama Kiss the Bride. He was the lead in Tobe Hooper's The Damned Thing, which was part of the Masters of Horror series. He worked on The Dead Zone TV series, and returned as Connor MacManus for The Boondock Saints II: All Saints Day. He appeared in the horror film Saw: The Final Chapter, the thriller InSight, and the moving drama Lake Effects.
When Jay Mohr was a boy growing up in Verona, NJ, he dreamed of becoming a comedian. By the time he was a young adult, he had fulfilled that dream, first finding popularity in standup comedy and then making his way to television and feature films. Early in his career, he gained recognition for his uncanny and hilarious impressions, particularly for that of stony Christopher Walken. He made his television debut as part of the Not Ready for Prime Time Players on NBC's Saturday Night Live. While on the show, Mohr received an Emmy nomination for his work.   After leaving SNL, Mohr began guest starring on other shows and landed regular parts on The Jeff Foxworthy Show and Local Heroes. For hosting the MTV network's Lip Service, Mohr won an Espy Award. He made his feature film debut in 1995, with The Barefoot Executive, but gained real recognition playing Tom Cruise's rival sports agent, Bob Sugar, in Jerry Maguire (1995).   Following a nice-guy role in Picture Perfect (1997) and a turn as Ellen Burstyn's AIDS-stricken son in Playing By Heart (1998), Mohr had starring roles in two high-profile 1999 projects, the eagerly awaited but ultimately disappointing 200 Cigarettes and Doug Liman's acclaimed Go. In both films, Mohr acted as part of a Who's Who of Up-and-Comers cast, appearing as the man who screws over Kate Hudson in the former, and as a gay soap opera actor in the latter. The same year, he returned to his television roots with Action, a Fox show that featured him as a loathsome, foul-mouthed film executive. Despite rave reviews and a cult following, the show was given the axe by the network.   After supporting roles in such high-profile box-office bombs as The Adventures of Pluto Nash and S1mone, Mohr took a couple more stabs at the small-screen. First he hosted the talk-show Mohr Sports on ESPN, which began airing in 2002. Then, in 2003, he served as both host and executive producer on NBC's Last Comic Standing, a reality show that attempted to find the funniest undiscovered stand-up comedian in America.   In between a starring role in the sex-comedy Seeing Other People and several stand-up performances, Mohr spent much of 2004 promoting his first book, Gasping for Airtime. In the years to come, he would enjoy major roles on The Ghost Whisperer, Garry Unmarried, and Subpurgatory.
With film roles ranging from his portrayal of a psychotic satanic killer (Hideaway [1995]) to Jesus (1999), one would not be hard-pressed to give actor Jeremy Sisto the credit of having a fairly impressive range of dramatic abilities. Born in Northern California, Sisto spent his early years living in the rock-built home his parents had made in the lower Sierra Nevada Mountains. Sisto would gain his earliest experiences as an actor after moving to Chicago with his mother and sister (Reedy Gibbs and Meadow Sisto, also actors) at the age of six. Jeremy and Meadow's turn as specters in the Goodman Theater's adaptation of Tennessee William's House Not Meant to Stand earned the young thespians positive notice, and led to theater work with such other Windy City institutions as the Absolute Theater Company and the Cherry Street Theater. After constant auditioning and small roles in commercials and industrial films, Sisto's breakthrough came with his being cast in Lawrence Kasdan's Grand Canyon (1991) after a deceptively discouraging audition. Returning to Chicago to finish school after wrapping up Grand Canyon in Los Angeles, Sisto constantly auditioned and played small roles in theater and independent films before moving to L.A. and finding roles in Clueless (1995) and White Squall (1996). A busy actor in the later '90s, Sisto appeared in the infamous Don's Plum (1998) before his role in the television mini-series The 60s and Jesus (both 1999). The next year Sisto would follow-up as a troubled young filmmaker coming to grips with the death of his wife in This Space Between Us, and with Angel Eyes, a mysterious tale of fate and urban isolation starring Jennifer Lopez.   Subsequent roles in Lucky McKee's well-received feature debut May, the popular backwoods slasher flick Wrong Turn, and the 2004 horror\comedy Dead and Breakfast served well to increase Sisto's street credibility among genre buffs, but when he wasn't running from inbred killers in the forest or falling under the spell of mentally disturbed waifs, Sisto was gaining positive notice for his role as a delusional man who believes his life is the subject of a film in Movie Hero, and returning to the small screen in shows like the hit crime drama Law & Order or the ABC comedy Suburgatory.
Born on a Belgian army base, curly brown-haired Johnny Galecki grew up in Chicago and started acting professionally at the age of 12. He made his feature film debut in 1988 as River Phoenix's little brother in A Night in the Life of Jimmy Reardon. He then assumed the role of Rusty Griswold in National Lampoon's Christmas Vacation, and gained his first regular role on a TV series as Robert Ulrich's son in American Dreamer. In 1991, he starred in the made-for-TV movie Backfield in Motion, co-starring the production team of Roseanne and Tom Arnold. The next year, Galecki joined the cast of Roseanne as Darlene's sensitive and put-upon boyfriend David Healy. He stayed on the show until its final season in 1997, although he wasn't on very much during its last few years. His other television credits include several guest appearances, leading roles in made-for-TV movies, and a part on the short-lived Head of the Class spin-off Billy. After Roseanne ended, he got back into features with small parts in I Know What You Did Last Summer, Bean, and Suicide Kings. He continued playing slightly effeminate sensitive males in The Opposite of Sex and Morgan's Ferry. After bit parts in Bounce, Playing Mona Lisa, and Vanilla Sky, Galecki played a leading role in the comedy thriller Bookies, which premiered at the 2003 Sundance Film Festival.