LOT of 2, Kevin Bacon, Brad Renfro stills TELLING LIES IN AMERICA (1997) Maximil

Description

(They ALL look MUCH better than these pictures above. The circle with the words, “scanned for eBay, Larry41” does not appear on the actual photograph. I just placed them on this listing to protect this high quality image from being bootlegged.)
LOT of 2, Kevin Bacon, Brad Renfro stills TELLING LIES IN AMERICA (1997) Maximilian Schell, Joe Eszterhas, Guy Ferland scarce studio vintage originals – GET SIGNED!
This lot of 8” x 10” photos will sell as a group. The first picture is just of the group, please open and look at each still in this lot to measure the high value of all of them together. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers by my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
PLEASE BE PATIENT WHILE ALL PICTURES LOAD
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These photographs are original photo chemical created pictures (vintage, from original Hollywood studio release) and not a copies or reproductions.
DESCRIPTION:
In a semi-autobiographical jaunt back to 1961 Cleveland, screenwriter Joe Eszterhas chronicled the experiences of teenager Karchy Jonas (Brad Renfro), a senior at a Catholic high school and the son of Hungarian immigrant Dr. Istvan Jonas (Maximilian Schell). Cynical disk jockey Billy Magic (Kevin Bacon) pulls his red Cadillac into Cleveland and begins broadcasting from local station WHK. To impress Diney Majeski (Calista Flockhart), rock music fan Karchy floods the station with contest entries. When he wins the contest, Billy Magic offers him a job at 0 per week, and the job description includes payola. Karchy collects cash from record promoters, and his new way of life leads him into the fast lane of sex, rock 'n' roll, and self-discovery. His big date with Diney turns into a disaster, so Billy arranges for a prostitute to give Karchy his first sexual experience. Karchy returns the favor by introducing Billy to Cleveland Latin High's only black student, the musically talented Amos (Damen Fletcher). Billy likes the sound and immediately signs Amos and his music group to do a recording. A prank in the confessional gets Karchy suspended from school, and his pursuit of the American Dream takes another detour when a grand jury begins payola investigations. Karchy discovers this investigation could damage the U.S. naturalization proceedings for himself and his father. The soundtrack includes 18 rock tunes of the period. Filmed on location in Cleveland.
CONDITION:
These quality vintage and original release stills are in Near MINT condition (old yes, with only minor normal wear keeps them from being perfect). I doubt there are better condition stills on this title anywhere! Finally, they are not digital or repros. (They came from the studio to the theater during the year of release and then went into storage where the collector I bought them from kept them for over 17 years!) They are worth each but since I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
SHIPPING:
Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a pound with even more extra ridge packing.
PAYMENTS:
Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
BACKGROUND:
A warm, nostalgic tale of hero worship gone wrong, this sweet comedy-drama follows young Hungarian immigrant Brad Renfro's idolatry of sleazy payola-taking DJ Kevin Bacon in the early days of rock and roll. Renfro is funny and believable in the lead and gets some great help from Maximilian Schell as his understanding father and Calista Flockhart as his true love. The story is predictable but thrives on keenly observed detail and anecdotal remembrance, and, while Joe Eszterhas' script is just as morally ambiguous in the end as Renfro's previous film with Bacon (Sleepers), it at least forgives Renfro's transgressions on behalf of a worthy goal.
Rarely can it be said that an actor is so recognized and of such prominence that a game can be played by connecting him to just about any other celebrity simply through referencing his resumé. Any film buff has most likely participated in a round of Six Degrees of Kevin Bacon, and it's likely that if their opponent was an avid cinephile they came out on the losing end of the match. This should come as no surprise, considering Bacon's extensive and diverse body of work.   Born in Philadelphia, PA, in 1958, Bacon received his education at The Circle in the Square (where he became the youngest student to appear in a production) and Manning Street Actor's Theater after leaving home at the age of 18. Two years later, Bacon made his feature debut as the smarmy Chip Diller in director John Landis' beloved frat-house epic Animal House. Following in the next few years with minor roles in such seemingly forgettable films as Hero at Large and Friday the 13th (both 1980), Bacon would re-create his off-Broadway role of a drug-addicted male prostitute in Forty Deuce the same year that he made a memorable appearance as the troubled Timothy Fenwick in Barry Levinson's Diner (1982). Though he had appeared in a few major films and displayed an intriguing range of abilities, it was 1984's Footloose that brought Bacon his breakthrough role. As the big-city boy crusading against the puritanical constraints against dancing imposed by a well-meaning but overbearing fundamentalist minister, Bacon became a teen icon -- an image that, though it propelled him to stardom, would prove difficult to shed. Following Footloose's success with a series of curious failures such as Quicksilver (1986) and White Water Summer (1987), it was on the set of Lemon Sky (also 1987) that Bacon would meet future wife Kyra Sedgwick; the couple exchanged wedding vows the following year. Though he would appear in a few other failed-but-interesting, audience-pleasing thrillers such as Tremors (1989) and Flatliners (1990) in the following years, it was with his role in conspiracy theorist Oliver Stone's JFK (1991) that Bacon found his career revived and began to shed his heartthrob image. Narrowly escaping the Brat Pack trappings of his '80s contemporaries, subsequent roles after JFK may not have all scored direct hits at the box office for Bacon, but audiences were now well aware of his talents and thirsted for more. Bacon would again prove his substantial range in the true story of a brutalized prison inmate opposite Gary Oldman in 1995's Murder in the First. His performance as the disillusioned and broken prisoner, accentuated by his famished and frail skeletal figure, was followed by an equally challenging reality-based role as a member of the troubled Apollo 13 (1995) lunar mission team in director Ron Howard's widely praised film.   Proving that he could play sleaze as successfully as slice-of-life, Bacon took a turn for the worse as the sadistic reform-school guard responsible for the rape of a trio of young boys in Sleepers (1996) and as a cop investigating accusations of rape in director John McNaughton's raunchy sex-thriller Wild Things. Bacon's entertaining turn as a receptive father tangled in a mind-bending murder mystery in Stir of Echoes (1999) gained positive reviews, though the intelligent and subtle shocker withered in the shadow of another similarly themed thriller, The Sixth Sense. Though he wasn't visible for the majority of the film, Bacon fell into psychotic territory as the malicious genius consumed by his discovery of the key to invisibility in Paul Verhoeven's sadistic Hollow Man (2000). After an uncredited supporting role in the independent comedy Novocaine, Bacon once again went for the throat in Trapped; and though audiences were generally entertained by the film, it ultimately fell victim to a quick death at the box office due to poor timing (numerous stories of child abductions had been making headlines at the time Trapped was released). Of course with an actor such as Bacon, it was only a matter of time before he once again tackled a substantial dramatic role, and with the release of Mystic River in 2003 audiences found him doing just that. Adapted from the novel of the same name by author Dennis Lehane and directed by Clint Eastwood, Mystic River provided audiences with a brutal, slow-burning study in the effects of violence and the nature of revenge, withBacon's turn as a sympathetic detective playing pitch perfect opposite a mournful performance by Sean Penn. That same year, Bacon showed up in an uncredited role in the Jane Campion thriller In the Cut before taking the lead in the emotional drama The Woodsman.   Bacon would continue to work on a variety of projects over the coming years, appearing in everything from the tense period thriller Where the Truth Lies to the ensemble rom-com Crazy, Stupid, Love, to the superhero flick X-Men: First Class. Soon however, the actor found himself hungry for a more substantial project, and he found it with the Billy Bob Thornton directed drama Jane Mansfield's Car in 2012, which found him acting alongside heavyweights like Robert Duvall and John Hurt. In 2013, Bacon turned to television, headlining Fox's drama The Following.   In addition to his film work, Bacon has frequently toured with brother Michael, playing upbeat country-folk rock under the alliterate moniker the Bacon Brothers.
One of the hottest teen idols of the mid- to late '90s, talented dramatic actor Brad Renfro also garnered adult fans for building an impressive filmography that includes performances opposite some of Hollywood's most respected actors. A native of Knoxville, TN, Renfro was raised by his grandmother following his parents' divorce. He broke into movies at age ten, when he impressed an audience member during a D.A.R.E. (a national anti-drug organization promoted by local police departments) skit (he was playing a drug dealer). This unknown person recommended Renfro to a talent scout who was holding a national open casting call for a young man to play a traumatized boy who finds himself in the midst of a deadly homicide case in Joel Schumacher's The Client (1994). Renfro, who had no training and no real acting experience, won the part and found himself working opposite such heavy hitters as Tommy Lee Jones, Susan Sarandon, Ossie Davis, and Mary-Louise Parker. Though such stellar company may have been daunting to others, Renfro held his own and earned positive reviews for his performance. He next played a new kid in town who befriends and decides to find a cure for an AIDS-afflicted boy (veteran child actor Joseph Mazzello) in Peter Horton's heart-tugging The Cure (1995). In 1996, Renfro played Huck Finn to Jonathan Taylor Thomas' Tom Sawyer in Disney's The Adventures of Tom Sawyer and then essayed an abused boy (Brad Pitt played him as a vengeful adult) in Sleepers (1996). In 1998, he starred opposite Ian McKellen as a high school student morbidly fascinated by Nazi atrocities who finds himself drawn to an elderly, sinister war criminal in Bryan Singer's sophomore film Apt Pupil. Renfro was found dead at age 25 in January 2008.
Maximilian Schell may not be a household name, but he is internationally respected, particularly in Europe, as an award-winning actor/director of stage and screen. He was born in Vienna, Austria, on December 8, 1930, but raised in Switzerland after his parents, Swiss author/poet Hermann Ferdinand Schell and Austrian actress Margarethe Noe von Nordberg, fled there to escape the effects of Nazi Germany's forcible annexation of Austria in 1938. As a young man, Schell studied at three universities -- Zurich, Basel, and Munich -- before making his professional stage debut in 1952. In 1955, he appeared in his first film, Kinder, Mütter und ein General. He next debuted on Broadway and then in Hollywood, playing a German officer who befriends fellow soldier Marlon Brando in The Young Lions (1958).   Schell earned an Oscar in 1961 for his intriguing performance as a defense attorney in Judgment at Nuremberg, and would subsequently be nominated for Oscars for his work in The Man in the Glass Booth (1975) and Julia (1977). In 1968, he produced Das Schloss (The Castle) and made his feature film directorial/screenwriting debut with Erste Liebe (First Love) in 1970. The latter film earned him an Oscar nomination for Best Foreign Film, as did his 1973 effort Der Fussgänger. The latter also won him a Golden Globe for Best Foreign Film. As a director and producer, Schell distinguished himself on the international stage with productions such as the remarkable Tales From the Vienna Woods and the modern opera Coronet. In addition to film and stage work, he has occasionally worked on television, winning a Golden Globe for his supporting role as Lenin in the HBO miniseries Stalin (1992) and additional acclaim for his work in Peter the Great (1986) and Joan of Arc (1999).   Schell's screen appearances became sporadic in the later 1980s, and he rarely branched out from acting. Notable films from the '90s included a rare comic role opposite Marlon Brando in The Freshman (1990), a dramatic turn as a stern patriarch in screenwriter Joe Eszterhas' autobiographical Telling Lies in America (1997), Tea Leoni's father in Deep Impact (1998), and a cardinal in John Carpenter's Vampires (1998). When not busying himself on stage, screen, and television, he distinguished himself as a concert pianist and conductor. He performed with Claudio Abado, the Berlin Philharmonic, the Vienna Symphony, and Leonard Bernstein.   In his later years before his death in 2014 he appeared in Fisimatenten, and in 2002 he directed My Sister Maria. In 2008 he appeared in both House of the Sleeping Beauties, and the con-artist comedy The Brothers Bloom.
Hungarian-born Joe Eszterhas began his journalistic career as a reporter for Rolling Stone. In 1974, Eszterhas authored the popular, award-winning novel Charlie Simpson's Apocalypse. The book was optioned by Hollywood, and though it has not as yet been filmed, it served as the key for Eszterhas' entree into scriptwriting. He is best known for his vicious, sexy, highly literate crime and mystery scripts: Jagged Edge (1985), Betrayed (1988), and the Sharon Stone starmaker Basic Instinct (1989). At one point Eszterhas was the highest-paid writer in Hollywood, receiving million up-front money for Basic Instinct alone. Never one to shirk from a fracas, Eszterhas has fought publicly with producers, directors, powerful agents and even crime bosses (especially after accepting the responsibility of penning the John Gotti biopic). Given his reputation for censor-baiting, it is surprising to learn that one of Eszterhas' biggest battles was aimed at convincing director Paul Verhoeven to tone down the sex-and-violence excesses that Verhoeven had added to Basic Instinct. Nonetheless, it was Eszterhas who in 1995 issued a sarcastic response to Senator Bob Dole's call for Hollywood to clean up its act; kidding on the square, Eszterhas argued that some of the political misdeeds of the Nixon, Reagan and Bush administrations were far more "obscene" than anything found in an R-rated movie.
Guy Ferland was born on February 18, 1966 in Beverly, Massachusetts, USA. He is known for his work on Bang Bang You're Dead (2002), Dirty Dancing: Havana Nights (2004) and Telling Lies in America (1997).